BESEMER-SCHULZ

Accumulated Gestures

This project began with monoprints—layered impressions of fabric’s folds and wrinkles. The muslin, initially just a tool to absorb and lift excess ink, instead became a record of time and gesture. With each print, it accumulated marks, embedding process into material memory. What was meant to be discarded became the most compelling trace of making—an artifact of process rather than product.